Posts Tagged ‘1967’

New Acquisition: Forged Steel Sculpture by Herb Babcock

Friday, December 4th, 2009

I recently acquired at auction this abstract sculpture.  Four views:

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Just 16″ tall, this is an early work in forged steel by the contemporary sculptor, Herb Babcock. Babcock was born in Bloomdale, Ohio in 1946. In 1967 he attended Skowhegan School of Painting and Sculpture, then received his BFA in sculpture from the Cleveland Institute of Art in 1969 and an MFA from the Cranbrook Academy of Art in 1973. He currently serves as Chairman of the Glass Department at the College for Creative Studies in Detroit, where he has been a professor since 1974. Babcock lives in Oxford, Michigan. His website is here; a curriculum vitae, which unfortunately stops at the year 2000, is found here. An example of his work in glass is this beautiful vessel. Today Babcock may be known best for his public commissions, often of a monumental size, that combine glass, steel, and stone.

UPDATE (04-02-2011)

On March 12 I received the following email message from the sculptor, Herb Babcock, along with three photos. His title for this 1967 piece is “Balanced Forms”:

Mr. Ettner,
Can’t remember if I sent you these images of when this sculpture was new. It was a purchase prize award at the Cleveland Institute of Art Spring Student Show, 1967, where I was in my 3 year working on a BFA in sculpture. The piece was made up of forged and cut steel. The interiors of the steel forms were polished metal. The outside areas were finished with a patina of burnt in linseed oil.  It looks like the piece has not been cleaned for quite a while.
Best regards,
Herb

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Walter Cronkite (1916-2009) – An Appreciation

Saturday, July 18th, 2009

Everyone watched the CBS Evening News with Walter Cronkite. 

To read the name of that essential program, to recall the announcer’s voice that introduced it (“THIS IS the CBS Evening News with Walter Cronkite”), is to realize how fitting those few words were.  In the 1960’s and 70’s the news came to us with, and through, Walter Cronkite.  And because of who he was, an essential civic function was carried out in a manner at once graceful, authoritative, and mature.  Cronkite will never be duplicated by any other broadcaster. 

I remember him, in his early retirement years, serving as Master of Ceremonies for the initial Kennedy Center Honors programs celebrating outstanding achievement in the Performing Arts.  And, let’s be frank, who among us didn’t wish, every time we saw him in those years, for him to lead a Restoration, to return to the news anchor desk and restore class and professionalism to the field.  Who can deny that, post-Cronkite, TV journalism has been on a downhill slide that continues to this day.  

I remember the Kennedy assassination broadcast in 1963.  I remember the magnetic pull of our black and white TV, those three terrible dark days.  It was another twenty-five year before I next saw those minutes of Cronkite’s choked announcement, a man pulling off his glasses to look up at a clock so he could add reportorial precision, factness, to devastating emotion.  Twenty-five years later I was visiting the museum at the Texas School Book Depository in Dallas.  The exhibition space leads visitors in a meandering path until you hear Cronkite’s broadcasting voice, which draws you to turn a corner and see, on a monitor, him delivering the fatal news.  As I expected, this brought the adult me to tears (while on screen Cronkite regained his composure), and I felt embarrassed, surrounded as I was by a class of high school kids on a field trip, for whom this all meant next to nothing.

In 1967, as a faithful nightly viewer, I remember Cronkite announcing each week the casualty figures of the Vietnam War, and how those numbers climbed steadily into the hundreds, week after week, until the repetitive and cumulative effect of death’s ostinato wore all of us down.  Then one evening came the pricking of the boil:  Cronkite, out-of-character, pronounced the war simply not winnable.  In that extraordinary and necessary departure from routine, he shocked us awake, and changed history. 

Most of all I remember his hosting live daytime News Specials on the occasion of the launching of each Mercury, Gemini, and Apollo mission.  He played with model capsules along with his guest astronaut pals.  He demonstrated docking maneuvers.  He deftly took the role of the nation’s educator, called on Wernher von Braun to explain why a certain plan was being followed  rather than some other.  Then, after years in the making, this careful series of steps culminated in his ultimate joy, a joy sweetly child-like coming from a man with a serious senior body and beautiful Midwestern voice.  The triumph of the 1969 lunar landing.  At that moment, as at other moments, his was the breathing and his was the voice, of America.

Cronkite was the embodiment of the  principle that if you chart and follow a course that is steady, constant, and controlled, you are likely to achieve success.

For some reason I remember one other out-of-character event — the time he addressed us in the TV audience upon his return to the anchor desk after a summer vacation spent sailing.  If I recall this correctly, he actually was into his third or fourth broadcast of the week of his return to the air.  I’m talking about the time he revealed to us why his hair looked different; it had turned reddish from the sun, he explained.  Though my memory may be faulty, I don’t think I’m making this up.  The reason I remember this is, of course, because like millions of others, I had come to think of Cronkite as a member of the family, a substitute father, or as he was commonly known, Uncle Walter.  That was a rare moment when he thought he owed us something more than simply being, night after night, the epitome of professionalism. 

We now know it is all of us who owe him so much.